Category Archives: Slice of Life

Depiction of ordinary life, often without serious conflict.

The Saint’s Magic Power is Omnipotent – and undefined

Japanese Title: Seijo no Maryoku wa Bannou Desu

 

Similar: Snow White with the Red Hair

Ascendance of a Bookworm

 

Watched in: Japanese

Genre: Fantasy Slice of Life

Length: 12 episodes

 

Positives:

  • Easy going, comfortable atmosphere
  • Looks pleasant

Negatives:

  • Isekai aspect is pointless
  • Protagonist succeeds without effort
  • Shallow world building

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The isekai genre in anime is almost universally garbage, having run itself into the ground with the most low effort clones for a decade now. However, one isekai caught my eye in the spring 2021 line-up for not being an action series or featuring a teenaged protagonist.

The Saint’s Magic Power is Omnipotent features a twenty-something office lady summoned against her will to another world to be the “saint” that will fend off the growing evil from this strange kingdom. Except, she’s not the saint. The other woman summoned with her is. The mages aren’t sure why the summon called forth two people – perhaps the dire situation requires two saints? While the prince whisks off the other woman to fulfil her destiny, Sei is free to do as she pleases and receives all the comforts the kingdom can provide. Bored with her new situation in life free of TV and the internet, she wanders into the Research Institute of Medicinal Flora and soon starts brewing potions, which turn out to be more effective than the norm. Her cooking also makes soldiers stronger. Is she the saint after all?

My initial impression of Omnipotent is a positive one. I like the older protagonist (not being an isekai rapist for once is a plus as well) and the less action-orientated premise stands out. My interest quickly wanes, sadly, as Sei meekly goes along with everything far too easily and her magical power is a nebulous gift that makes her the best at everything. I didn’t expect the title to be literal.

She makes potions the same as anyone else (never mind that she just started) yet they’re 50% stronger simply because. When she visits the mages to learn to enchant gemstones for a gift to her beau, she executes a perfect enchantment stronger than anyone at the institute could do on her first try. She proceeds to enchant a box of gems at the head mage’s request within a casual afternoon.

What bothers me more than the instant omnipotence is how irrelevant the isekai device is. Apart from her mentioning she’s bored without TV a couple of times, the fact that she’s from another world is irrelevant. Screams of lazy writing. Why not have her incorporate modern medicine and knowledge into her potions to make them stronger, à la Outlander? A notable twist could be that she is indeed no saint but her modern capabilities make her better than a saint. Weirdly, she only makes real use of each type of magic once – outside of the potions – in the series. This is a “magic spell of the week” show. That’s a first.

Beyond her abilities, I have never seen someone acclimatise so quickly and forget all connection to the modern world. There is some consternation about what would happen if everyone found out that she was a saint, probably the saint, though no conflict comes to fruition. It feels as if this is an isekai because isekai is popular, therefore you must have that tag no matter how flimsy. Omnipotent would have worked better if Sei were a gifted mage discovered by a high scholar in some remote village.

I find it tough to overstate how little effort went into the premise and the world. Sei’s power is undefined. The present day connection is meaningless. The fantasy society has no sense of lore or world building beyond the visuals and a few copy-pasted video game elements for magic. The great evil is as ill-realised as the rest, seen towards the end with a bit of action against nameless, faceless enemies.

“What are they?”

“Evil.”

“Yes, but what kind of evil. Do you have a bestiary or something?”

“No. They evil.”

This is more of a slice of life anime though, and as such, this doesn’t turn my opinion negative. The Saint’s Magic Power is Omnipotent is a relaxed comfort watch where everything looks lovely, where a romance with the commander matters more than the great evil. It’s a case where more effort could have made an anime I love instead of a watch, enjoy, and forget series.

Overall Quality – Low

Recommendation: For fantasy slice of life fans only. The Saint’s Magic Power is Omnipotent is for those in need of a conflict-free, no-thought fantasy anime. For a little more oomph (woah, not too much though), I recommend Snow White with the Red Hair instead.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Shallow

The Pet Girl of Sakurasou – Anime Review

Japanese Title: Sakura-sou no Pet na Kanojo

 

Similar: Saekano: How to Raise a Boring Girlfriend

Toradora

Princess Jellyfish

 

Watched in: Japanese

Genre: Comedy Romance Slice of Life

Length: 24 episodes

 

Positives:

  • Nice colours

Negatives:

  • Sleazier fan service than usual
  • Deeper moments fall flat against this tone
  • Too many obnoxious characters

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When you’ve consumed enough anime with an analytical eye (or books or movies), judging the quality of series within one episode becomes easy. It may sound unfair – “You have to finish or it doesn’t count!” If a first episode is full of problems, then expect those same problems to echo throughout the series. Core elements don’t magically go from bad to great by the end. Not to suggest they can’t get better. You might get a 10% improvement by the end or an element that isn’t working falls away, elevating the rest in the process without much change. When a story has potential for greatness, the seeds are present from the start. What about judging the ending if you only watch one episode? You won’t be able to tell how good the ending will be (though a bad series ending is often predictable), but you can judge whether the journey is worth it. Remember, the end is a fraction of the overall experience.

And so, we come to The Pet Girl of Sakurasou. Let’s go through episode one for all the markers of how this series will be.

Opening scene, protagonist Sorata looking out of the classroom window at a bright but uneventful day, indicating his boring but easy life. He then tells us as much. Unnecessary showing plus telling. Not a big deal, but I expect to see this a lot, where they will show something (should stop there), but then have someone vocalise it as if the audience can’t infer on their own. Anime does this often. Problem repeats next moment when he wakes up (pointless dream opening scene is also a red flag) with a cat’s arse on his face – not a pleasant experience – and then has to tell us how it’s not a pleasant experience, a simile for his adolescent life.

Turns around to find his face now in a girl’s arse (camera about to perform a colonoscopy of course). Tells me the fan service will be non-stop and sleazy. She wakes up and her first line, yelled with extreme energy, is, “I want to be a bride when I grow up!” Atrocious introduction to an obnoxious character. She only gets worse as the scene continues.

Less than two minutes in and this tells me about 70% of what I need to know. There will be too much telling, sleazy fan service, and bad characters. All that remains is to see the narrative drive, which I expect within a few minutes, and I could give a recommendation.

Escapes into the hall where he runs into his teacher, whose priority one the first day of school is showing off her cleavage, as stated by her. She hands him a toolbox to fix the sign out front. This is Sakura Hall, a dorm notorious for housing the problem students of this art school. Sorata’s plot goal is to get out of this hellhole of a living situation. A funny premise, to be sure, but it hinges on having great characters in the dorm for comedy and all you’ve given me so far is sleaze and a colonoscopy.

There’s another minor instance of show and tell here. A couple of girls walk past and whisper about Sakura Hall’s reputation, which is all we need. Then Sorata tells us the same information again a second later.

Predictably, the panty girl from the start throws a window open and yells to him about how hot she is naked, reinforcing my judgment of obnoxious fan service and this character. A little over three minutes in and I’ve seen more than enough. Let’s keep going though.

Now we have the character bios. Panty girl is an animator, in comes a playboy guy (anime screenwriter and high school gigolo), the teacher we’ve met, and there is a NEET programmer no one has ever seen. Sorata is an average guy amongst a bunch of freaks. I’m not a fan of rapid-fire inductions like scrolling through game profiles, as they just info dump without engagement. At least it isn’t as bad as the one in Wave! Let’s Go Surfing! and they did intersplice character moments to give a bit of personality.

After classmate introductions and more talk of Sakura Hall’s infamy, we flashback to Sorata adopting a stray cat and being forced to move to Sakura Hall since regular dorms don’t allow pets. Bit of a forced scenario set up, but alright, works for comedy. He’s had stray cats come to him ever since. This is foreshadowing for later.

Side note: the bloom is too strong and ever-present.

The teacher introduces the foil in the story. Her cousin is coming from England (prediction: she will be nothing like a British girl) and will be staying in Sakura Hall. Sorata has to pick her up from the station. He finds the girl and the first thing she says is, “What colour do you want to be?” A feeble attempt at a philosophical conversation follows (purpose: on the nose metaphor of the theme). This tells me the story will try to cram a deeper meaning in somewhere (prediction: the ending, with sudden drama) that will utterly fail in the face of the sleaze and shallow characters. Her colour is white, like the stray cat. A bad introduction via writing from a film school student’s first indie movie.

We are a little past halfway in the first episode now and I have yet to find much positive to say. The colours are nice, though marred by the overbearing bloom. A couple of funny lines as well, yet far outweighed by the unfunny ones.

Next day, he has to wake her up for school, only to find her room in a disaster state as if the FBI had rifled all her clothes for secret intel. She’s a manga artist and sleeps under the desk. She comes out from blanket to stand before him naked. Nothing has changed from that first scene when he woke up. Turns out, she’s an absolute idiot for the sake of fan service, underage nudity, and comedy. The explanation is that this is normal because the culture in England is different? Yeah, I doubt the author has ever been to England. He has to get her ready like a child. This is the pet of the title and from all that foreshadowing. I get she is supposed to be like a stray cat to care for, like his many other stray cats, but did they have to make her mentally deficient just to fulfil his fetish?

And so ends the episode.

Let’s summarise. The characters are obnoxious, the love interest is imbecilic, the humour repeated itself several times within a single episode, the “serious” dialogue is laughably bad, showing plus telling, and fan service takes priority over all else. A thick blanket of anime clichés wraps this up.

One episode was too much to know The Pet Girl of Sakurasou isn’t an anime worth watching. Yes, there are many far worse than this, but also a thousand high school anime that you could watch first. Toradora is a much better version of this anime type.

For the sake of thoroughness and this review, I watched the series in full and nothing changes about the quality of this series. The characters are still weak stereotypes, the fan service is still sleazy, and the few good jokes are buried under the mountain of same tired lines in every high school anime. The feeble deeper messages die under the tonal nonsense of the sleaze. My only off prediction was the dramatic ending. It wasn’t as dramatic as expected, instead mirroring the first episode with nostalgia. The end was a typical graduation moment filled with crying people (understandable). It’s clear the main couple has barely evolved.

I could apply the above analysis to the first episode of any series, whether good or bad, and highlight the markers that predict overall quality. Maybe I should do it in future with some excellent series. Sounds like a good idea.

Overall Quality – Low

Recommendation: Skip it. The Pet Girl of Sakurasou isn’t worth your time in a sea of high school anime.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

K-On! – Anime Review

Japanese Title: K-On!

 

Similar: Sound! Euphonium

Lucky Star

Bang Dream

 

Watched in: Japanese & English

Genre: Comedy Music Slice of Life

Length: 39 episodes (2 seasons), 2 specials, 1 movie

 

Positives:

  • Visually dynamic for a slice of life anime
  • Characters aren’t just moe
  • Fair number of laughs

Negatives:

  • The music is a little weak for a music show

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It is no secret that I’m not a fan of moe anime. Apart from usually looking hideous, they bank everything – character, plot, personality, effort – on the moe. The characters are insufferable, one-note, and what passes for humour is non-stop screeching. Oh god, the voices. They’re torture. So, what does a seemingly stereotypical moe anime with good characters, restraint on the screeching, and real humour look like? Meet K-On.

This anime revolves around the daily school life antics of a girls’ music club. They claim it’s a music club, but they spend more time drinking tea, eating cakes, and doing odd activities to promote the club. K-On is more a slice of life than a music anime. We have Yui the protagonist on the guitar, Mio on bass, Mugi on keyboard, and Ritsu banging the drums. A fifth joins the club later. Each girl fits one of the main archetypes of the typical “cute girls doing cute things” cast. Yui, for instance, is a clumsy airhead, which sounds clichéd. Another girl is the shy, self-conscious type yet popular with the boys. Also sounds clichéd. Their teacher is more of a child than half of her students. Sound familiar?

In fact, if I were to detail K-On in full on paper from its characters to the episodic scenarios, it would be normal for you to dismiss it as more of the same clichéd moe fare. To own a truth, though this had been on my list to watch since before my first review, I always suspected it as more of same that a hardcore fanbase overhyped to outsiders. Probably why I took so long to get to it. I was right, in a sense. K-On is more of the same, technically. However, it takes that sameness and executes it so much better than the competition that it makes me think even less of those other anime. Yes, K-On had many imitators in the years that followed, but it wasn’t an original idea either. I look at this anime and can’t pick out anything I would call different or innovative for the genre, apart from caring about more than the moe. Here we have a great example of the importance of execution over idea. I talk of this plenty in isekai reviews, where all they have going for them is that one change from other isekai, as if that alone will make for a great story. You could change nothing at the core but execute in a great way and now sentiment won’t be, “Oh, it’s just a rip-off of [other anime here].” Instead, viewers will say, “It’s like [other anime] but actually good.”

These characters are fun and the scenarios are fun, especially in season two when the series hits its stride. The humour works and has more than “it’s funny because she’s cute” as the joke. K-On is, in simple terms, fun. Who knew that having good characters with depth would make for an enjoyable experience, aye?

Huge praise must go to Kyoto Animation for applying their considerable artistic talents to the series. Nothing about K-On visually feels template. When the girls have those expected moe and anime reactions, we aren’t getting stock animation you see copied and pasted across the seasonal clones. These characters have such life and energy, such expression thanks to caring artists. Very giffable too, as I’m sure you’ve seen around the net.

One problem tangential to K-On is the ease in which it is to imitate. Imitating well is a different matter, but to create a clone (similar to how easy it is to clone Sword Art Online) takes little effort and had caused a flood on the market. If you have seen its imitators already, I can imagine them lessening your experience with K-On, for while this is better, you could feel as if you know everything about K-On before you even start. That said, should you have an inclination for the genre as an outsider, I do recommend this one. Actually, this is the only anime of the typical moe variety that I would recommend to non-core fans.

I want to be clear. You aren’t finding anything revolutionary here or the anime to change your mind on moe, but it is still a good anime regardless.

One final note – should a dub be your preference, avoid the original Animax dub. Absolutely lifeless. The Bang Zoom redub is close to the Japanese in tone and energy and a fine experience.

Overall Quality – High

Recommendation: A must for “cute girls doing cute things” fans. This might appeal to those not already predisposed to the moe genre. K-On is good though still very moe.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: 

Fluid Animation

Negative: None

Miss Kobayashi’s Dragon Maid / Blend S / Ranma ½ – Quick Review

Miss Kobayashi’s Dragon Maid

Japanese Title: Kobayashi-san Chi no Maid Dragon

Genre: Comedy Slice of Life

Length: 13 episodes

Miss Kobayashi’s Dragon Maid is about a drunk office lady who accidentally invites a dragon to live with her. It isn’t long before other dragons crash in as well.

There are five dragons: main dragon, little dragon, male dragon, rival dragon, and pedo dragon. Main dragon is the titular maid to Miss Kobayashi. Comedy largely comes from her incompetent but earnest attempts at being a useful maid to Kobayashi – and a strange obsession with serving her own dragon tail meat for dinner. This is typical fish out of water humour from a slice of life anime. Little dragon is just there for the cute factor.

Most characters have no point to this story. I know this is slice of life, a genre thin on purpose, yet even so, most of these characters serve little purpose. The worst character in both purpose and personality is pedo dragon. The old dragon whose job is carrying two massive jugs around answers the summons of a little magician boy. Her purpose becomes to molest him at every possible opportunity. They even called him Shouta… So obsessed is Dragon Maid with this “joke” that it will cut away from unrelated scenes to show her sleeping with this child and using him as a grinding pillow. Furthermore, she is completely pointless.

The other surprisingly pointless aspect is the whole dragon bit. Having these characters be dragons doesn’t play much of a factor outside of a shoehorned bit of plot involving the dragon emperor in the final episode. I think of Hinamatsuri with its alien girls. Sure, Hina’s character designs were uninspired but being aliens made a difference. The dragon aspect is just a gimmick.

Not pulling a “she’s actually a thousand years old” on little dragon was Miss Kobayashi’s Dragon Maid’s greatest surprise.

The two main characters are decent fun and I like the colours and animation. Other than that, it’s a run of the mill moe slice of life comedy and those are never great.

Overall Quality – Low

Recommendation: For moe slice of life fans only.

*     *     *     *     *

Blend S

Japanese Title: Blend S

Genre: Comedy Slice of Life

Length: 12 episodes

If you’ve heard of Blend S it’s because of the meme opening (“Smile! Sweet! Sadistic!”). It’s also the only entertaining part. This isn’t a good anime.

Blend S is a workplace slice of life series – of which there are many – filled with a cast of generic characters. The main girl struggles to find a job because despite being small and cute, her smile looks menacing. Anime, seriously, there are only so many times you can use this trope. Please, something else.

The scenarios are typical and crammed to the brim with gags, which gives the feeling that the writers don’t want you to stop and think about how nothing is happening. I don’t find it funny, so this doesn’t work for me. And the sexualisation is creepy, though not that prevalent.

You ever discover an older anime and wonder how it faded into obscurity, forgotten by everyone after the season ended? Watching Blend S reminds me of that. This anime is so dull in the face of such high energy.

Overall Quality – Very Low

Recommendation: Skip it. A new anime of its kind will be out every season anyway.

*     *     *     *     *

Ranma ½

Japanese Title: Ranma ½

Genre: Comedy Slice of Life

Length: 161 episodes

Today we end on a classic of slice of life comedy, an anime from a time when broadcasters wanted 161 episodes from a story that goes nowhere.

Ranma ½ is about a guy called Ranma who turns into a girl when splashed with cold water. Hot water turns him back again. His father arranges for him to marry the daughter from a long running dojo family. Akane plays the main love interest and foil to Ranma.

Episodes of Ranma ½ follow a rather repetitive theme of Ranma fighting someone with martial arts over some misunderstanding or jealousy, a lover spat with Akane, and some gender swapping hijinks. It doesn’t go much of anywhere. The core premise is alright – I have no particular objections there – but episode after episode of mid-level comedy, repetition, and a story that makes one step of progress per twenty episodes is dull. As mentioned earlier, Ranma ½ comes from a time when stations wanted longer anime. They try out a few, find the ones that stick, and play them forever. If you could get the audience interested, you expect their return to your station every week. This anime isn’t meant for the binge viewer. That is true of many older anime. However, many still have reason to watch them today amongst the modern series. Ranma ½ doesn’t hold up.

One final note – avoid the dub. It’s not from a time of quality dubs, but worst of all is the fact that one actress didn’t record using the same equipment. Background noise accompanies her every time she speaks. It’s like teeth against a chalkboard.

Overall Quality – Low

Recommendation: For classic slice of life fans only. At 161 episodes long, Ranma ½ is only for the diehard.

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Space Brothers – Anime Review

Japanese Title: Uchuu Kyoudai

 

Similar: Moonlight Mile

A Place Farther than the Universe

 

Watched in: Japanese

Genre: Comedy Slice of Life

Length: 99 episodes

 

Positives:

  • Knowledgeable about the space programs

Negatives:

  • Atrocious directing
  • Flatline pace from start to finish
  • Moving manga

(Request an anime for review here.)

I have wanted to watch Space Brothers since I started writing reviews. Who hasn’t dreamt of being an astronaut or travelling the stars to expand humanity’s horizon? I kept it on the backlog as one to look forward to amongst the long series, something to pick me up – an old reliable – after clearing through a stack of lesser anime. Several readers also requested this for review. Imagine my disappointment to be met with this.

Space Brothers is about the process to becoming an astronaut. It follows Mutta, a recently furloughed automobile engineer in search of a new purpose. Meanwhile, his younger brother Hibito is on top of the world, or rather, out of this world as a leading astronaut set for the moon. When Mutta’s parents sign him up for the space program behind his back, he now has opportunity to fulfil the promise made by the siblings as children. They could both go to space together.

When I say Space Brothers is about the astronaut process, I mean it. This anime does deliver on that promise. We see every step of the rigorous journey from the application to the interviews to the many training programs before one even has a hope of final selection for the rocket crew. Yep, you could spend years preparing, practicing, and training only to end up on the bench as everyone else watches Earth shrink to a marble from the window. Space Brothers does a good job of detailing the process while injecting a personal touch from the characters.

It sounds as if Space Brothers has succeeded in its mission, so how could I possibly be disappointed?

The execution of this project has resulted in the most boring anime experience of my life.

A long series that takes its time isn’t an issue for me – Legend of the Galactic Heroes is my favourite anime after all. However, it needs to justify the extra time taken. Space Brothers does not do that by any measure when this extra time goes to filler. Every shot is slow. The shot should cut, but will instead hang for a half or full second or even two (a long time in editing). How many times do I have to watch someone wake up, brush their teeth, and eat breakfast? I have lost count at the number of slow pans across a character with no animation.

Speaking of. Screenshots of Space Brothers look fine. Animation of Space Brothers looks the same. There is no animation. The mouths flap at least. When someone walks, the camera will switch to a medium shot to cut off the legs (no animation needed there) and bob a still image of the character up and down. This is moving manga. And filler.

Here’s what you do: get a camera and a copy of the manga. Now slowly pan the camera as you read panels through the viewfinder. Oh, you finished reading the panel already? Tsk, tsk, don’t be so hasty. You must finish panning the camera first or you will break the “immersion” of this man’s career. That’s the Space Brothers experience.

Speaking of again. Read the great manga instead (no camera). You will clear the full series (the anime covers half of the volumes) in a third of the time it would take to finish the anime. The anime also manages to make every character boring and none of the foreigners, of which there are many, seem very foreign.

Space Brothers has to have the worst anime direction I’ve ever seen. There is no craft, no effort whatsoever in this directing.

The acting is good, but the script lacks soul. It’s flat, likely a symptom of the bad directing. The soundtrack seems to have maybe three songs, each overused to death and made more noticeable when that damned camera is still slowly panning after the dialogue ends! I swear the sound editor turns up the volume on that one “idle’ song just to drive you mad during these moments.

I can’t even recommend it for the good parts in between the filler. There are no good parts. This awful directing is everywhere. Across the 99 episodes, I recall no tension, not even during the one tense moment.

Do not watch Space Brothers. You could become an astronaut with the willpower required to make it through this series.

Overall Quality – Medium

Recommendation: Read the manga. I cannot recommend the Space Brothers anime with how much it disrespects your time.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

DisappointingPoor Pacing