Tag Archives: Fantasy

Record of Ragnarok would be the worst anime I have seen of 2021 if not for Ex-Arm. So bad is this anime that I started it before my previous eight or so reviews and couldn’t finish it until now, when forced to.

The premise of Record of Ragnarok is the decision on the fate of mankind. The gods, which comprise Norse, Hindu, Greek, Christian, and more, have decided that humanity isn’t worth keep around anymore due to all of the conflicts, so they want to wipe everyone out. However, the Valkyrie Brunhilde busts into the assembly and proposes to give the people a fighting chance in a tournament against the gods, a series of 13 one-on-one battles. The gods agree.

The structure for Record of Ragnarok is straight into a tournament arc with backstories slotted in. And here we have a core pillar of what makes this anime so terrible. Each fight follows the same routine. The two contestants step up to much fanfare and commentary (none of it useful), they fight for a minute, pause, go into one fighter’s backstory, unpause, followed by another minute of combat, pause, now time for the other fighter’s backstory, unpause, one more minute of combat. If the fight isn’t over at this point (i.e. we need to drag this out for another episode), go into backstory part two and repeat proceedings. It’s astonishing how little action there is in this action series.

Not that the action is anything to write to your parents about. Pacing issues aside, these fights have no real tension despite the humanity ending stakes because we don’t know these characters, their abilities, nor how they fight beforehand. As such, each new technique feels pulled out of thin air. Need this guy to win? Well, he has this new almighty attack. But wait, the other guy is meant to win? Well, he now has a new attack he should have just started with. Ragnarok could work if it were a proper story with character arcs, build-up, and an actual narrative. With what they have here, it would be better to do a series of two-minute animations show casing “what if” fights – Thor versus Lu Bu, Zeus versus Adam (of the Bible), and so on. Give them flashy animation with references to the lore. Short and sweet.

Animation. That reminds me. Did I mention that the backstory segments are almost entirely slideshows? You might assume this is to save the budget for the divine action. Well, you’d be wrong! The action is barely more than a slideshow outside of a few cuts. The amount of time opponents spend staring at each other is creepy.

Accompanying this flat action is the worst sideline commentary I have heard in a battle anime. It isn’t easy to make expository commentary engaging yet I wager anyone could do better than this. The dialogue in general is bottom of the sceptic tank. Episode one has Brunhilde swear. Her assistant – worst character in this shitshow – comments on the swearing and Brunhilde replies, “I said what I said.” That’s where you should drop Record of Ragnarok.

Now we arrive at the characters. I don’t care about changing these mythological beings. They can be whatever you want. However, if you are going to deviate from the common expectations, then you have more work to do to establish their new personalities, ideologies, and philosophies. As seen in the God of War games, for instance. These in Record of Ragnarok aren’t characters. They’re nothing. They may as well not base them on mythology. Aphrodite is the perfect example. The camera makes a big deal of her from the beginning – of course, you and I know the real reason for this – but she does nothing throughout. The camera keeps cutting to her and on occasion she might make a pointless comment such as, “Oh my,” or, “I like the look of him.” Worthless.

Record of Ragnarok is rubbish. No simpler way of putting it. Sure, the manga might be better, though unless the story, and structure, and characters, and combat flow are different, I can’t see it being anything more than pulp action.

Overall Quality – Very Low

Recommendation: Avoid it. The manga must surely be an improvement if the premise interests you.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Action, Anime Reviews, Fantasy

Yasuke – why the mechs?

23 September 2021 Nefarious Reviews 2 Comments

Japanese Title: Yasuke

Similar: Ninja Scroll

Afro Samurai

Moribito: Guardian of the Spirit

Watched in: Japanese & English

Genre: Action Fantasy

Length: 6 episodes

Positives:

Great animation
Lo-fi beats you can study to

Negatives:

Thin on character
What’s with the robots?

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Did you know that an African man served under Nobunaga in 16^th century Japan? He arrived as a slave to an Italian missionary before Nobunaga bought him, fascinated by the look and strength of this foreigner. A letter from the time indicates Yasuke was likely the first black person Nobunaga had ever seen, as he had his servants try to clean the “ink” off as if his skin colour was some prank.

The historical character of Yasuke is the basis for this anime of the same name. In this, he is a samurai ronin, masterless after the death of Nobunaga. If you’ve never heard the story of Nobunaga, it is a fascinating one though for another time (I recommend the documentary series Age of Samurai: Battle for Japan to start). Short version: he was one of Japan’s greatest warriors, nicknamed the “Demon King,” and set events in motion to unify the nation. There’s a reason so many anime feature him as a character. As for Yasuke, there is no indication that he received the rank of samurai, but he was a warrior for Nobunaga by all accounts.

Historical accuracy isn’t a cornerstone of Yasuke, which is clear from the opening scene as a massive battle takes place involving samurai mechs and magic. I was disappointed to see these, for I had hoped this anime would be more historical drama and less action fantasy. Yasuke isn’t action fantasy – it is only action fantasy. That fact may be a selling point to some. However, I find it to be the greatest weakness. Let’s explore.

After a brief prologue chronicling the death of Nobunaga, we cut to Yasuke in a quiet mountain village living the life a drunk recluse. He has lost his master and purpose. He keeps to himself as he trades fish and rides on his boat along the river to survive. All of this changes when a local songstress asks for his help in getting her magically ailing daughter to a special doctor in the north. In war country.

On their tail is a group of foreign mercenaries led by a psychotic Catholic priest, including a giant shapeshifting Russian woman, an assassin, a Nigerien shaman, and a robot. From here on, the series is about ninety percent action. While the action looks great outside of the occasional messiness (might be intentional to represent the chaos of battle), there isn’t much more to it. The lack of character is particularly noticeable, further highlighted with every flashback to Yasuke’s past under Nobunaga. The present day will pause – usually when Yasuke is asleep, since most flashbacks are dream sequences – and rewind to a key moment. And just as that moment is getting interesting, he wakes up and we are off to the next fight. The action isn’t spectacular enough to carry.

That historical account of having his skin cleaned is in the story, yet there isn’t enough. What happened next? Can we have more dialogue between Yasuke and Nobunaga to know them as people first, action stars later? This depiction of Nobunaga differs from historical accounts as well, so take the time to convey his ideology and how it became that way. In truth, he’s barely in the show. He’s in plenty of scenes, all of them too brief. The most appealing element of this story is Yasuke’s past, which happens to be the lowest priority. Below is an art piece from the era likely depicting Yasuke versus a local in a sumo match, an event also glimpsed in Yasuke. I wish it were more than a glimpse. This anime seems to pay lip service to the real Yasuke, the biggest draw of the story.

The supporting cast don’t fare better either. The magic girl is little more than a magic girl with a headstrong personality. You won’t care for her as you would a Ghibli child. Her mother dies early to no emotional impact. The mercenaries are a tad more realised though only to the point of action characters.

Speaking of the mercenaries, the robot brings up another issue. What on Earth is with the technology? This world has samurai mechs and a fully autonomous self-aware robot, yet everything else is Edo period Japan. This detail has to be the laziest world building I have ever seen. My issue isn’t the robots in ancient Japan. Couldn’t care less. I’ve read crazier fictional worlds. However, if there is a robot more advanced than any technology in our modern day, why is the rest of society as it was? If I didn’t know better, I would say someone edited him into Yasuke to see if anyone would notice the odd one out. I mean, why?

There is a lack of attention to small narrative details as well. For example, Yasuke is accused of killing the girl’s mother. The villagers he lived with believe it because they mistrust him as a foreigner. Who tells them of the murder? A group of psychotic looking foreigners and a robot. Someone even points out the absurdity of the claim and the story still rolls with it! Come on, I’m trying to find the good in this but you aren’t making it easy.

If you sit back and “switch your brain off” as some like to put it, Yasuke is an alright action anime. At six episodes in length, it isn’t a large commitment. Any longer at this quality and it would rapidly grow thin on me. Want something better in action fantasy? Go for Ninja Scroll. Want more drama with that mysticism of a magic child? Moribito is waiting for you. Yasuke is a watch and forget for me. A drama anime on Yasuke’s life is still open for a studio to adapt, by the way. Anyone?

Overall Quality – Medium

Recommendation: For action fantasy fans only. With nothing but flashy action to recommend itself, Yasuke is for a specific audience. I’m probably being too generous.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Anime Reviews, Drama, Fantasy, Mystery

Link Click – Dive into mystery

30 August 2021 Nefarious Reviews 1 Comment

Chinese Title: Shiguang Dailiren

Related: Link Click 2^nd Season (TBR)

Similar: Death Parade

Steins;Gate

Id: Invaded

Watched in: Chinese

Genre: Contemporary Drama Fantasy Mystery

Length: 11 episodes

Positives:

Great character animation without generic expressions
Engaging short stories
“Page turning” pace and plots

Negatives:

Vocal audio sounds a little off

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Time for my dip into China’s offering of anime for the season (we won’t count the increasing number of Japanese content animated in China). We’ve had some rubbish with The King’s Avatar but we’ve also had greatness with Grandmaster of Demonic Cultivation. Now I look at something different once again with the contemporary fantasy mystery Link Click.

This short series centres around two young men with different powers that work in tandem to “investigate” photographs. Xiaoshi can enter photos and possess the photographer, travelling to see the past from their perspective. Meanwhile, Guang acts as the “eye in the sky” with his ability to look into a photo and see what occurred in a limited time around its taking. He knows how the scene plays out, guiding Xiaoshi from the present via some form of telepathy. The photo doesn’t need to be of the subject. Time and place matter. Together, they take on cases for clients in need of information or a correction for something in the past. For example, the first case has them entering the life of an assistant to a chief financial officer to acquire evidence of fraud.

There is only one rule: don’t change the past in any appreciable way. However, by becoming their targets, experiencing life from their perspective, they may get more than they bargained for. Xiaoshi feels a subject’s pain most of all. He has to fight against a need to make things right.

I love this premise. It has immediate promises of drama, mystery, tension, and twists. I’m pleased to say that Link Click delivers on all of these promises.

Drama comes from the interesting and varied choice of target characters to inhabit, even when they don’t seem interesting on paper. One case has the guys trying to find the secret ingredient to an amazing noodle recipe. It’s just two ordinary people in business together selling noodles. As we see their relationship deteriorate though, the drama keeps us hooked and wanting to know how this will end. Each victim receives full characterisation in a single episode. Not an easy task. On the other end, there are high drama targets, such as the assistant mentioned previously who is a victim of sexual abuse from her boss, physical abuse from colleagues, and is just all round miserable. Drama escalates in a later case when it cuts close to home for Xiaoshi while possessing some stranger with past regrets. An early concern I had was a lack of connection between the two protagonists and the cases. They would solve a case involving strangers and move on to the next. Thankfully, after a few of these, cases become more personal (even if unintentionally) and the drama grips tighter. This is where Link Click elevates itself. The emotional core is strong.

Mystery, tension, and twists work as a trio thanks to good plotting and the right pacing across several compelling cases. The first few episodes work as standalone short stories, but matters build into longer cases with higher stakes. At that point, I had to go full binge to find out what happens next. Link Click has the perfect hooks of a mystery series. I can’t say much more than that.

If I had to present any negatives, I would say it needs a little more in several areas. Mind you, these have easy fixes and the second season could very well step it up in most regards. The stoic Guang, for instance, is still rather flat for a main character, particularly alongside Xiaoshi who we come to know much better over the course of the season. Maybe it’s because Xiaoshi takes the lion’s share of screen time. I also want more from the antagonists. They aren’t as present as they should be for hero versus villain scenarios. They feel a tad distant. With the introduction of what seems like the first major villain headed into the next season, the battle of wits may have more back and forth. Give me a touch of that Death Note. The audio placement for the voice acting is a little off – something common in Chinese anime, for some reason – though not a major problem.

Link Click is a great anime and an easy binge at 11 episodes with a fast pace that ramps up in the second half as the stakes reach new heights. I look forward to the next season.

Overall Quality – High

Recommendation: Watch it. Link Click is a gem of the season and well worth a watch.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative: None

Anime Reviews, Fantasy, Slice of Life

The Saint’s Magic Power is Omnipotent – and undefined

20 August 2021 Nefarious Reviews 2 Comments

Japanese Title: Seijo no Maryoku wa Bannou Desu

Similar: Snow White with the Red Hair

Ascendance of a Bookworm

Watched in: Japanese

Genre: Fantasy Slice of Life

Length: 12 episodes

Positives:

Easy going, comfortable atmosphere
Looks pleasant

Negatives:

Isekai aspect is pointless
Protagonist succeeds without effort
Shallow world building

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The isekai genre in anime is almost universally garbage, having run itself into the ground with the most low effort clones for a decade now. However, one isekai caught my eye in the spring 2021 line-up for not being an action series or featuring a teenaged protagonist.

The Saint’s Magic Power is Omnipotent features a twenty-something office lady summoned against her will to another world to be the “saint” that will fend off the growing evil from this strange kingdom. Except, she’s not the saint. The other woman summoned with her is. The mages aren’t sure why the summon called forth two people – perhaps the dire situation requires two saints? While the prince whisks off the other woman to fulfil her destiny, Sei is free to do as she pleases and receives all the comforts the kingdom can provide. Bored with her new situation in life free of TV and the internet, she wanders into the Research Institute of Medicinal Flora and soon starts brewing potions, which turn out to be more effective than the norm. Her cooking also makes soldiers stronger. Is she the saint after all?

My initial impression of Omnipotent is a positive one. I like the older protagonist (not being an isekai rapist for once is a plus as well) and the less action-orientated premise stands out. My interest quickly wanes, sadly, as Sei meekly goes along with everything far too easily and her magical power is a nebulous gift that makes her the best at everything. I didn’t expect the title to be literal.

She makes potions the same as anyone else (never mind that she just started) yet they’re 50% stronger simply because. When she visits the mages to learn to enchant gemstones for a gift to her beau, she executes a perfect enchantment stronger than anyone at the institute could do on her first try. She proceeds to enchant a box of gems at the head mage’s request within a casual afternoon.

What bothers me more than the instant omnipotence is how irrelevant the isekai device is. Apart from her mentioning she’s bored without TV a couple of times, the fact that she’s from another world is irrelevant. Screams of lazy writing. Why not have her incorporate modern medicine and knowledge into her potions to make them stronger, à la Outlander? A notable twist could be that she is indeed no saint but her modern capabilities make her better than a saint. Weirdly, she only makes real use of each type of magic once – outside of the potions – in the series. This is a “magic spell of the week” show. That’s a first.

Beyond her abilities, I have never seen someone acclimatise so quickly and forget all connection to the modern world. There is some consternation about what would happen if everyone found out that she was a saint, probably the saint, though no conflict comes to fruition. It feels as if this is an isekai because isekai is popular, therefore you must have that tag no matter how flimsy. Omnipotent would have worked better if Sei were a gifted mage discovered by a high scholar in some remote village.

I find it tough to overstate how little effort went into the premise and the world. Sei’s power is undefined. The present day connection is meaningless. The fantasy society has no sense of lore or world building beyond the visuals and a few copy-pasted video game elements for magic. The great evil is as ill-realised as the rest, seen towards the end with a bit of action against nameless, faceless enemies.

“What are they?”

“Evil.”

“Yes, but what kind of evil. Do you have a bestiary or something?”

“No. They evil.”

This is more of a slice of life anime though, and as such, this doesn’t turn my opinion negative. The Saint’s Magic Power is Omnipotent is a relaxed comfort watch where everything looks lovely, where a romance with the commander matters more than the great evil. It’s a case where more effort could have made an anime I love instead of a watch, enjoy, and forget series.

Overall Quality – Low

Recommendation: For fantasy slice of life fans only. The Saint’s Magic Power is Omnipotent is for those in need of a conflict-free, no-thought fantasy anime. For a little more oomph (woah, not too much though), I recommend Snow White with the Red Hair instead.

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Awards: (hover over each award to see descriptions; click award for more recipients)

Positive: None

Negative:

Action, Anime Reviews, Fantasy

Dota: Dragon’s Blood – does it know how to last hit?

31 July 2021 Nefarious Reviews 1 Comment

Similar: Castlevania

Orphen

Vampire Hunter D: Bloodlust

Watched in: English

Genre: Action Fantasy

Length: 8 episodes

Positives:

Quality production
Love the variety of accents
The elven goddess is a creepy and effective antagonist

Negatives:

Feels like it’s missing lore context if you aren’t familiar with the source

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Full disclosure, I know nothing about Dota 2 lore. This review comes from the perspective of someone who doesn’t play the game or read any related lore. I did play the original DotA mod a decent amount and watched a few tournaments, but to be honest, I didn’t know there was any lore to the game. A one paragraph profile per character, sure, though nothing more. As such, if you are a loremaster, your experience may vary.

For those even less familiar with the material than me, Dota 2 is the standalone sequel to the original DotA mod from Warcraft 3. The mod proved more popular than Warcraft 3 itself until game studio Valve hired key developers to make a complete game, independent of Warcraft and Blizzard. The worst business move Blizzard ever made was not capitalising on DotA and they’ve since shot themselves in the foot with their StarCraft 2 and abysmal Warcraft 3 Reforged modding policy. Valve just had to change a few character and item names to avoid direct reference to trademarks, though references are still in place – the burst fire mage Lina the Slayer, based on Lina Inverse from Slayers, is still in the game, for example. Dota 2 has gone on to reach massive heights with the largest prize pools in esports history with its world championships each year, The International.

Dota: Dragon’s Blood brings together a handful of characters from Dota 2’s large cast of “Heroes” for an adult fantasy adventure. The protagonist is Davion the Dragon Knight, who slays dragons for a living only to have the soul of an elder dragon merge with his body during a fight with a demon. He can now transform against his will into a human-dragon hybrid monster (think the Hulk). He soon joins forces with Mirana, “princess of nothing,” to stop this demon from claiming more dragon souls. Meanwhile, the elven mage Invoker plots against the elven goddess Selemene, whose sycophantic followers wreak genocide across elven lands.

The best thing I can say immediately about Dragon’s Blood – or any game to film tie-in – is its disregard for the source material’s gameplay. Unless it’s something like Wreck it Ralph where the game is the point of the story, trying to incorporate gameplay elements in a film/series is cringe inducing (see Uwe Boll films for reference). It finally feels like Hollywood is starting to grasp how to adapt games for screen. Then again, Sony’s upcoming offerings don’t look promising, so perhaps it’s only in the animation sector.

Speaking of animation, Studio Mir (The Legend of Korra) once again makes the art form a delight to behold. The action scenes are fluid and violent, even on the horror side at times. This isn’t a series for kids. The character designs are classic high fantasy and coming from a game that requires distinct silhouettes for visibility in combat, there is variety. On a world building level, again, classic fantasy except for the elves, who are far less noble than the stereotype. Love that most of them are Australian and the actors do a good job for non-natives. It matches their society better than the typical Oxford English. The world grabs me.

However, the characters are a little lacking and this is where I wonder if my unfamiliarity with the source has an effect. I have not looked into the lore since finishing the series either – want to keep my outsider’s perspective. After all, you shouldn’t need outside material to enjoy a good adaptation. Had I been well acquainted with Davion and Mirana beforehand, would they engage me? I’m not even certain if all notable characters in Dragon’s Blood are from the game. I assume so.

Mirana is supposed to be a princess of “nothing” and yet, I don’t have the impression of a princess nor do I feel the shadow of secrets from her backstory. She’s fine though not compelling. The same is true of Davion. His personality does make him entertaining – I’ll give him that.

The more interesting characters are the antagonists Selemene and the not-as-antagonistic Invoker. Selemene is the Goddess of the Moon but more akin to a goddess of lust and obsession, as she forces her followers to pledge undying love to her. She’s psychotic about this. You want a favour from her? You had better be ready to say you love her or off with your head. It sounds mundane on paper yet she is genuinely threatening. She has a much stronger presence than the main villain consuming dragon souls (I often forgot he was in the story). Against her we have Invoker, who is a sympathetic antagonist with a personal story that drives engagement. I want more of the elven subplot over the main plot.

In all, Dota: Dragon’s Blood is certainly good enough for a relative outsider to the franchise, like myself, to find reason to watch this anime. I am looking forward to the next season and that’s worth something. Riot Games has an animated series of its own on the way for their game League of Legends, which I am much more familiar with, so it will be interesting to see how that compares.